When you get onto tonal things: ‘Batman’ is too dark. But when it starts going down the dark path, it can be misleading. I’m all for real answers for what’s working with comedy and laughs, and what’s not. I’ve been through this my whole life with previews. The thing that’s dark is the animals in captivity. “I’m like an old cop: ‘I can’t take his shit!’ ‘Nightmare Before Christmas,’ any kind of movie I do, I’m too dark. You think you know, you’re going for something, but you don’t know what it’s like until you get it.”ĭisney Take research screenings with a grain of saltĭid Disney worry that “Dumbo” was too sad? “It’s the usual stuff,” said Burton. But here, until you get the final, you don’t know what it is. ![]() Usually, you do a shot, you can see the shot. “Sticking in the main character at the very end is just weird,” he said. The filmmaker didn’t quite realize how unsettling it would be for his leading man to be the last thing to materialize. It’s like riding one of those bucking bronco things in a bar, but it’s going all around the room!” ![]() It’s fascinating and amazing: the dedication to do all that stuff. “We’d still be still shooting now if we didn’t have that extra luxury.”Īnd Green suffered from vertigo. “Holt is coming back from the war with no arm, no wife,” Burton said, noting that Farrell had to mount and ride a horse and throw a lasso with one arm. While Burton relied on his VFX and animation skill sets to achieve a live-action hybrid, it also had to deal with human frailty. I tried to get actors who look weird to fit with the animated elephant.” You are always trying to find the right tone. “Making a live-action is a different thing. “I felt comfortable with this movie,” said Burton. Vandevere (Burton fave Michael Keaton), who swallows the smaller circus into his extravagant Disney-style theme park Dreamland, and partners the young aviator elephant with his own gorgeous girl on the flying trapeze (Burton regular Eva Green). And soaring, flapping Dumbo attracts another circus impresario, V.A. In this version, Dumbo and his mother Jumbo are silent but intelligent creatures who understand English. Read More: Tim Burton on Set: Behind the Scenes of ‘Batman,’ ‘Edward Scissorhands,’ and More When daredevil horse rider Holt (new Burton recruit Colin Farrell) returns from World War I with one arm missing, the circus master (Danny DeVito ) puts him and his two kids, mourning their lost mother, onto the elephant detail. The new movie still wrenchingly separates the baby Dumbo from his angry mother Jumbo, who is carted away as a “mad elephant.” Timothy the mouse, who trains Dumbo in the animated original, is replaced by the two circus children (with mouse pets) in the expanded story. Politically, that’s stuff you can’t do these days.” If somebody asked me or the kids I grew up with, ‘what do you remember about about Dumbo?’ It’s him getting wasted, getting drunk on champagne. “‘Dumbo’ is a tricky one, right? What I liked about ‘Dumbo,’ it’s one you couldn’t remake, for lots of reasons. “They’re remaking lots of Disney things,” he said. Lean into the dark sideīurton has learned to pick his battles on Disney family fare. Burton’s remake of the 1941 “Dumbo” follows hits such as “Maleficent,” “Beauty and the Beast” and “The Jungle Book,” and precedes not only Guy Ritchie’s “Aladdin” (starring a blue Will Smith as the genie), but also Jon Favreau’s “The Lion King.”Ĭheck out the ways “Dumbo” follows the Burton cinematic canon. Live-action remake “Alice in Wonderland,” for example, scored 53 on Metacritic when it opened in 2010 and yet was so successful ($334 million domestic, over $1 billion worldwide) that it inspired Disney’s burgeoning animation-to-film production slate. But high or low, praised or panned, none of those films could have been directed by anyone else. Many of Burton’s films score commercially (“Charlie and the Chocolate Factory,” “Planet of the Apes”) while others disappoint (“Mars Attacks!,” “Big Eyes”) others have grown in stature over the years after being underappreciated at the time (“Beetlejuice,” “Nightmare Before Christmas,” “Ed Wood”). Like Guillermo del Toro, it’s a design signature that’s inspired hugely successful museum exhibitions that range from high art (“Sweeney Todd: The Demon Barber of Fleet Street”) to low genre (“Dark Shadows,” “Batman”), as well as garnering a wide swath of critical reactions. Nightmare Film Shoots: 28 of the Most Grueling Films Ever Madeįrom “Pee-wee’s Big Adventure,” “Ed Wood,” “Edward Scissorhands,” and “Sleepy Hollow” through his Oscar-nominated animated films “Tim Burton’s Corpse Bride” and “Frankenweenie,” Burton’s dark streak is a visual stamp. Oscars 2023: Early Best Picture Predictions ![]() Studios Like Netflix and Disney Ignore Showrunners' Specific Requests for Abortion Protocols The Case for Disney as New Streaming King - and the Case Netflix Never Lost Its Crown
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